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Text 143 of 150

CHAPTER 9. Gladiator obscene:--

The Satyricon — Complete

Petronius Arbiter · 2004

Contents

Text 143 of 150

  1. 01Front matter
  2. 02CHAPTER THE FIRST.
  3. 03CHAPTER THE SECOND.
  4. 04CHAPTER THE THIRD.
  5. 05CHAPTER THE FOURTH.
  6. 06CHAPTER THE FIFTH.
  7. 07CHAPTER THE SIXTH.
  8. 08CHAPTER THE SEVENTH.
  9. 09CHAPTER THE EIGHTH.
  10. 10CHAPTER THE NINTH.
  11. 11CHAPTER THE ELEVENTH.
  12. 12CHAPTER THE TWELFTH.
  13. 13CHAPTER THE THIRTEENTH.
  14. 14CHAPTER THE FOURTEENTH.
  15. 15CHAPTER THE FIFTEENTH.
  16. 16CHAPTER THE SIXTEENTH.
  17. 17CHAPTER THE SEVENTEENTH.
  18. 18CHAPTER THE EIGHTEENTH.
  19. 19CHAPTER THE NINETEENTH.
  20. 20CHAPTER THE TWENTIETH.
  21. 21CHAPTER THE TWENTY-FIRST.
  22. 22CHAPTER THE TWENTY-SECOND.
  23. 23CHAPTER THE TWENTY-THIRD.
  24. 24CHAPTER THE TWENTY-FOURTH.
  25. 25CHAPTER THE TWENTY-FIFTH.
  26. 26CHAPTER THE TWENTY-SIXTH.
  27. 27CHAPTER THE TWENTY-SEVENTH.
  28. 28CHAPTER THE TWENTY-EIGHTH.
  29. 29CHAPTER THE TWENTY-NINTH.
  30. 30CHAPTER THE THIRTIETH.
  31. 31CHAPTER THE THIRTY-FIRST.
  32. 32CHAPTER THE THIRTY-SECOND.
  33. 33CHAPTER THE THIRTY-THIRD.
  34. 34CHAPTER THE THIRTY-FOURTH.
  35. 35CHAPTER THE THIRTY-FIFTH.
  36. 36CHAPTER THE THIRTY-SIXTH.
  37. 37CHAPTER THE THIRTY-SEVENTH.
  38. 38CHAPTER THE THIRTY-EIGHTH.
  39. 39CHAPTER THE THIRTY-NINTH.
  40. 40CHAPTER THE FORTIETH.
  41. 41CHAPTER THE FORTY-FIRST.
  42. 42CHAPTER THE FORTY-SECOND.
  43. 43CHAPTER THE FORTY-THIRD.
  44. 44CHAPTER THE FORTY-FOURTH.
  45. 45CHAPTER THE FORTY-FIFTH.
  46. 46CHAPTER THE FORTY-SIXTH
  47. 47CHAPTER THE FORTY-SEVENTH.
  48. 48CHAPTER THE FORTY-EIGHTH.
  49. 49CHAPTER THE FORTY-NINTH.
  50. 50CHAPTER THE FIFTIETH.
  51. 51CHAPTER THE FIFTY-FIRST.
  52. 52CHAPTER THE FIFTY-SECOND.
  53. 53CHAPTER THE FIFTY-THIRD.
  54. 54CHAPTER THE FIFTY-FOURTH.
  55. 55CHAPTER THE FIFTY-FIFTH.
  56. 56CHAPTER THE FIFTY-SIXTH.
  57. 57CHAPTER THE FIFTY-SEVENTH.
  58. 58CHAPTER THE FIFTY-EIGHTH.
  59. 59CHAPTER THE FIFTY-NINTH.
  60. 60CHAPTER THE SIXTIETH.
  61. 61CHAPTER THE SIXTY-FIRST.
  62. 62CHAPTER THE SIXTY-SECOND.
  63. 63CHAPTER THE SIXTY-THIRD.
  64. 64CHAPTER THE SIXTY-FOURTH.
  65. 65CHAPTER THE SIXTY-FIFTH.
  66. 66CHAPTER THE SIXTY-SIXTH.
  67. 67CHAPTER THE SIXTY-SEVENTH.
  68. 68CHAPTER THE SIXTY-EIGHTH.
  69. 69CHAPTER THE SIXTY-NINTH.
  70. 70CHAPTER THE SEVENTIETH.
  71. 71CHAPTER THE SEVENTY-FIRST.
  72. 72CHAPTER THE SEVENTY-SECOND.
  73. 73CHAPTER THE SEVENTY-THIRD.
  74. 74CHAPTER THE SEVENTY-FOURTH.
  75. 75CHAPTER THE SEVENTY-FIFTH.
  76. 76CHAPTER THE SEVENTY-SIXTH.
  77. 77CHAPTER THE SEVENTY-SEVENTH.
  78. 78CHAPTER THE SEVENTY-EIGHTH.
  79. 79CHAPTER THE SEVENTY-NINTH.
  80. 80CHAPTER THE EIGHTIETH.
  81. 81CHAPTER THE EIGHTY-FIRST.
  82. 82CHAPTER THE EIGHTY-SECOND.
  83. 83CHAPTER THE EIGHTY-THIRD.
  84. 84CHAPTER THE EIGHTY-FOURTH.
  85. 85CHAPTER THE EIGHTY-FIFTH.
  86. 86CHAPTER THE EIGHTY-SIXTH.
  87. 87CHAPTER THE EIGHTY-SEVENTH.
  88. 88CHAPTER THE EIGHTY-EIGHTH.
  89. 89CHAPTER THE EIGHTY-NINTH.
  90. 90CHAPTER THE NINTIETH.
  91. 91CHAPTER THE NINETY-FIRST.
  92. 92CHAPTER THE NINETY-SECOND.
  93. 93CHAPTER THE NINETY-THIRD.
  94. 94CHAPTER THE NINETY-FOURTH.
  95. 95CHAPTER THE NINETY-FIFTH.
  96. 96CHAPTER THE NINETY-SIXTH.
  97. 97CHAPTER THE NINETY-SEVENTH.
  98. 98CHAPTER THE NINETY-EIGHTH.
  99. 99CHAPTER THE NINETY-NINTH.
  100. 100CHAPTER THE ONE HUNDREDTH.
  101. 101CHAPTER THE ONE HUNDRED AND FIRST.
  102. 102CHAPTER THE ONE HUNDRED AND SECOND.
  103. 103CHAPTER THE ONE HUNDRED AND THIRD.
  104. 104CHAPTER THE ONE HUNDRED AND FOURTH.
  105. 105CHAPTER THE ONE HUNDRED AND FIFTH.
  106. 106CHAPTER THE ONE HUNDRED AND SIXTH.
  107. 107CHAPTER THE ONE HUNDRED AND SEVENTH.
  108. 108CHAPTER THE ONE HUNDRED AND EIGHTH.
  109. 109CHAPTER THE ONE HUNDRED AND NINTH.
  110. 110CHAPTER THE ONE HUNDRED AND TENTH.
  111. 111CHAPTER THE ONE HUNDRED AND ELEVENTH.
  112. 112CHAPTER THE ONE HUNDRED AND TWELFTH.
  113. 113CHAPTER THE ONE HUNDRED AND THIRTEENTH.
  114. 114CHAPTER THE ONE HUNDRED AND FOURTEENTH.
  115. 115CHAPTER THE ONE HUNDRED AND FIFTEENTH.
  116. 116CHAPTER THE ONE HUNDRED AND SIXTEENTH.
  117. 117CHAPTER THE ONE HUNDRED AND SEVENTEENTH.
  118. 118CHAPTER THE ONE HUNDRED AND EIGHTEENTH.
  119. 119CHAPTER THE ONE HUNDRED AND NINETEENTH.
  120. 120CHAPTER THE ONE HUNDRED AND TWENTIETH.
  121. 121CHAPTER THE ONE HUNDRED AND TWENTY-FIRST.
  122. 122CHAPTER THE ONE HUNDRED AND TWENTY-SECOND.
  123. 123CHAPTER THE ONE HUNDRED AND TWENTY-THIRD.
  124. 124CHAPTER THE ONE HUNDRED AND TWENTY-FOURTH.
  125. 125CHAPTER THE ONE HUNDRED AND TWENTY-FIFTH.
  126. 126CHAPTER THE ONE HUNDRED AND TWENTY-SIXTH.
  127. 127CHAPTER THE ONE HUNDRED AND TWENTY-SEVENTH.
  128. 128CHAPTER THE ONE HUNDRED AND TWENTY-EIGHT.
  129. 129CHAPTER THE ONE HUNDRED AND TWENTY-NINTH.
  130. 130CHAPTER THE ONE HUNDRED AND THIRTIETH.
  131. 131CHAPTER THE ONE HUNDRED AND THIRTY-FIRST.
  132. 132CHAPTER THE ONE HUNDRED AND THIRTY-SECOND.
  133. 133CHAPTER THE ONE HUNDRED AND THIRTY-THIRD.
  134. 134CHAPTER THE ONE HUNDRED AND THIRTY-FOURTH.
  135. 135CHAPTER THE ONE HUNDRED AND THIRTY-FIFTH.
  136. 136CHAPTER THE ONE HUNDRED AND THIRTY-SIXTH.
  137. 137CHAPTER THE ONE HUNDRED AND THIRTY SEVENTH.
  138. 138CHAPTER THE ONE HUNDRED AND THIRTY-EIGHTH.
  139. 139CHAPTER THE ONE HUNDRED AND THIRTY-NINTH.
  140. 140CHAPTER THE ONE HUNDRED AND FORTIETH.
  141. 141CHAPTER THE ONE HUNDRED AND FORTY-FIRST.
  142. 142CHAPTER NOTES
  143. 143CHAPTER 9. Gladiator obscene:--
  144. 144CHAPTER 34. Silver Skeleton, et seq.
  145. 145CHAPTER 56. Contumelia--Contus and Melon (malum).
  146. 146CHAPTER 116. “They either take in or else they are taken in.”
  147. 147CHAPTER 119. The rite of the Persians:
  148. 148CHAPTER 131. Medio sustulit digito:
  149. 149CHAPTER 138. “OEnothea brought out a leathern dildo.”
  150. 150Scene, Koritto’s sitting room.
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Work overview

Text 143 of 150

CHAPTER 9. Gladiator obscene:--

Petronius Arbiter · about 6 minutes

CHAPTER 9. Gladiator obscene:--

The arena of his activities is, however, that of Venus and not Mars. Petronius is fond of figurative language, and in several other passages, he has made use of the slang of the arena: (chap. 61 ), “I used to fence with my mistress herself, until even the master grew Suspicious”; and again, in chapter 19, he says: “then, too, we were girded higher, and I had so arranged matters that if we came to close quarters, I myself would engage Quartilla, Ascyltos the maid, and Giton the girl.”

Dufour, in commentating upon this expression, Histoire de la Prostitution, vol. III, pp. 92 and 93, remarks: It is necessary to see in Petronius the abominable role which the “obscene gladiator” played; but the Latin itself is clear enough to describe all the secrets of the Roman debauch. “For some women,” says Petronius, in another passage, “will only kindle for canaille and cannot work up an appetite unless they see some slave or runner with his clothing girded up: a gladiator arouses one, or a mule driver, all covered with dust, or some actor posturing in some exhibition on the stage. My mistress belongs to this class, she jumps the fourteen rows from the stage to the gallery and looks for a lover among the gallery gods at the back.”

On “cum fortiter faceres,” compare line 25 of the Oxford fragment of the sixth satire of Juvenal; “hic erit in lecto fortissimus,” which Housman has rendered “he is a valiant mattress-knight.”

CHAPTER 17. “In our neighborhood there are so many Gods that it is easier to meet one of them than it is to find a man.”

Quartilla is here smarting under the sting of some former lover’s impotence. Her remark but gives color to the charge that, owing to the universal depravity of Rome and the smaller cities, men were so worn out by repeated vicious indulgences that it was no easy matter for a woman to obtain satisfaction at their hands.

“Galla, thou hast already led to the nuptial couch six or seven catamites; thou went seduced by their delicate coiffure and combed beards. Thou hast tried the loins and the members, resembling soaked leather, which could not be made to stand by all the efforts of the wearied hand; the pathic husband and effeminate bed thou desertest, but still thou fallest into similar couches. Seek out some one rough and unpolished as the Curii and Fabii, and savage in his uncouth rudeness; you will find one, but even this puritanical crew has its catamites. Galla, it is difficult to marry a real man.” Martial, vii, 57.

“No faith is to be placed in appearances. What neighborhood does not reek with filthy practices’?” Juvenal, Sat. ii, 8.

“While you have a wife such as a lover hardly dare hope for in his wildest prayers; rich, well born, chaste, you, Bassus, expend your energies on boys whom you have procured with your wife’s dowry; and thus does that penis, purchased for so many thousands, return worn out to its mistress, nor does it stand when she rouses it by soft accents of love, and delicate fingers. Have some sense of shame or let us go into court. This penis is not yours, Bassus, you have sold it.” Martial, xii, 99.

“Polytimus is very lecherous on women, Hypnus is slow to admit he is my Ganymede; Secundus has buttocks fed upon acorns. Didymus is a catamite but pretends not to be. Amphion would have made a capital girl. My friend, I would rather have their blandishments, their naughty airs, their annoying impudence, than a wife with 3,000,000 sesterces.” Martial xii, 76.

But the crowning piece of infamy is to be found in Martial’s three epigrams upon his wife. They speak as distinctly as does the famous passage in Catullus’ Epithalamium of Manilius and Julia, or Vibia, as later editors have it.

“Wife, away, or conform to my habits. I am no Curius, Numa, or Tatius. I like to have the hours of night prolonged in luscious cups. You drink water and are ever for hurrying from the table with a sombre mien; you like the dark, I like a lamp to witness my pleasures, and to tire my loins in the light of dawn. Drawers and night gowns and long robes cover you, but for me no girl can be too naked. For me be kisses like the cooing doves; your kisses are like those you give your grandmother in the morning. You do not condescend to assist in the performance by your movements or your sighs or your hand; (you behave) as if you were taking the sacrament. The Phrygian slaves masturbated themselves behind the couch whenever Hector’s wife rode St. George; and, however much Ulysses snored, the chaste Penelope always had her hand there. You forbid my sodomising you. Cornelia granted this favor to Gracchus; Julia to Pompey, Porcia to Brutus. Juno was Jupiter’s Ganymede before the Dardan boy mixed the luscious cup. If you are so devoted to propriety--be a Lucretia to your heart’s content all day, I want a Lais at night.” xi, 105.

“Since your husband’s mode of life and his fidelity are known to you, and no woman usurps your rights, why are you so foolish as to be annoyed by his boys, (as if they were his mistresses), with whom love is a transient and fleeting affair? I will prove to you that you gain more by the boys than your lord: they make your husband keep to one woman. They give what a wife will not give. ‘I grant that favor,’ you say, ‘sooner than that my husband’s love should wander from my bed.’ It is not the same thing. I want the fig of Chios, not a flavorless fig; and in you this Chian fig is flavorless. A woman of sense and a wife ought to know her place. Let the boys have what concerns them, and confine yourself to what concerns you.” xii, 97.

“Wife, you scold me with a harsh voice when I’m caught with a boy, and inform me that you too have a bottom. How often has Juno said the same to the lustful Thunderer? And yet he sleeps with the tall Ganymede. The Tirynthian Hero put down his bow and sodomised Hylas. Do you think that Megaera had no buttocks? Daphne inspired Phoebus with love as she fled, but that flame was quenched by the OEbalian boy. However much Briseis lay with her bottom turned toward him, the son of AEacus found his beardless friend more congenial to his tastes. Forbear then, to give masculine names to what you have, and, wife, think that you have two vaginas.” xi, 44

CHAPTER 26. “Quartilla applied a curious eye to a chink, purposely made, watching their childish dalliance with lascivious attention.”

Martial, xi, 46, makes mention of the fact that patrons of houses of ill fame had reason to beware of needle holes in the walls, through which their misbehaviour could be appreciatively scrutinized by outsiders; and in the passage of our author we find yet another instance of the same kind. One is naturally led to recall the “peep-houses” which were a feature of city life in the nineties. There was a notorious one in Chicago, and another in San Francisco. A beautiful girl, exquisitely dressed, would entice the unwary stranger into her room: there the couple would disrobe and the hero was compelled to have recourse to the “right of capture,” before executing the purpose for which he entered the house. The entertainment usually cost him nothing beyond a moderate fee and a couple of bottles of beer, or wine, if he so desired. The “management” secured its profit from a different and more prurient source. The male actor in this drama was sublimely ignorant of the fact that the walls were plentifully supplied with “peep-holes” through which appreciative onlookers witnessed his Corybantics at one dollar a head. There would sometimes be as many as twenty such witnesses at a single performance.